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Frutiger: A Versatile and Legible Typeface

Frutiger is a sans-serif typeface designed by Swiss designer Adrian Frutiger in 1968. It was originally created for the signage system of the Charles de Gaulle Airport in Paris, France. Frutiger is a humanist typeface, which means it is based on the proportions and shapes of classical Roman letters. Frutiger is intended to be clear and highly legible at any distance or size, making it suitable for a variety of applications such as signage, print, web, and branding.

Frutiger has a large family of fonts, with 14 weights and 14 corresponding italics. The weights range from light to ultra black, offering a wide spectrum of expression and contrast. Frutiger also supports many languages and scripts, including Latin, Greek, Cyrillic, Arabic, Hebrew, Thai, and Devanagari. Frutiger is available in various formats such as TrueType, OpenType, and web fonts.

Frutiger is one of the most popular and influential typefaces of the 20th century. It has inspired many other typefaces, such as Segoe UI, Tahoma, Myriad Pro, and Humanist 777. Frutiger is also widely used by many organizations and institutions, such as the National Health Service in the UK, the European Commission, the Canadian Broadcasting Corporation, and the 2016 Rio Olympics.

If you are looking for a free alternative to Frutiger, you can try some of these fonts that are similar in appearance and quality: Segoe UI[^2^], Tahoma[^2^], Myriad Pro[^2^], or Humanist 777[^1^] [^3^]. You can download these fonts from various websites that offer free fonts for personal or commercial use.The History of Frutiger

The history of Frutiger begins with another typeface called Concorde, which Frutiger designed in 1961-64 for a metal type company called Sofratype. Concorde was a sans-serif typeface with a humanist touch, inspired by Gill Sans and Futura. However, Concorde did not sell well and was discontinued when metal type became obsolete.

In 1968, Frutiger was commissioned by the Charles de Gaulle Airport in Paris to create a new signage system for the airport. He decided to use Concorde as a basis, but modified it to make it more legible and suitable for the airport environment. He widened the apertures of the letters, increased the x-height, and added distinctive features such as the square dot over the i and j. He also designed a range of weights and italics for different purposes. The new typeface was named Roissy after the location of the airport.

Roissy was well received by the airport authorities and the public, but it was not available for commercial use until 1976, when Frutiger collaborated with Linotype and Stempel to release it as a font family. The name was changed to Frutiger to avoid confusion with another font called Roissy. Frutiger also made some refinements to the design, such as adjusting the stroke widths and adding more weights and italics.

Frutiger became one of the most successful and influential typefaces of the 20th century, widely used for signage, print, web, and branding. It has also inspired many other typefaces, such as Segoe UI, Tahoma, Myriad Pro, and Humanist 777. Frutiger has been revised and expanded several times over the years, with versions such as Frutiger Next, Frutiger Arabic, Neue Frutiger, and Frutiger Greek. aa16f39245